Review from Patimat Guseynova Sharuhanova artist,
Dagestan 21-3-2015
This review is translate with google
Is not the creator who is able to give life ....
Acrylic painting on cnvas
Size: 116 x 200
Year: 2013
Acrylic painting on cnvas
Size: 116 x 200
Year: 2013
Strolling through the expanses of the Internet, I came across a magnificent Dutch expressionist Shefqet Avdush Emini. Later, I was fortunate to get to know him and work for international ART-symposia.
Expression in color, line, and at the same time, a sense of proportion and harmony - it works like live his own life. They are not designed to ensure that like it or bribe, they are not cloying and not decorative, not cold and dead. It stops swaying life and fascinates the viewer. Bright, contrast, at first glance filled holiday, they both carry the drama.
Amazingly thin ratio of proportions, colors, tones indicate the presence of basic academic knowledge, which release the artist from the fear of doing something wrong. And it gives the artist the right to be fluent in line, that first catches the eye in its schedule.
This professional immediacy just felt in every movement of the hand, or rather, in each span baggy fleyts through which it enters into an implicit contract with the painting, in a hot working process and forget about the outside world. This is the time of the soul's ascent of the mind, breaking down the barriers of fear giving birth to the best results.
Looking at how the Shefqet Avdush Emini, it may seem that he just casually sprays paint on canvas, but then where do these whimsical abstract and, at the same time, it is figurative landscapes, which are read hot summer field cool water bays or just the state of nature, and subtle sensual images of women with bottomless deep eyes, radiating the whole fate. He portrays them as if he had lived a life with them. Women who portrays Shefqet Avdush Emini, always seductive and romantic.
Shefqet - King color palette it is independent from the experience of others, he is dictating its terms, taming the colors with each other, for example, he uses the royal blue on the cheek covered with a thin veil of pink blush, making face to glow from within and thus throwing a challenge to all academic canons . Complex tone, turning into an open net color. Heavy rough texture, flowing silk in soft covering, the former once, rough canvas soft gloss, etc. - So he breaks all the rules of representation, it is, it is free and it is his main horse!
His work is not so much intriguing topics as pulsating rhythms, a lot of energy, arousing an emotional response from the viewer. And because it stops people passing by, gathering crowd near him, organizing thereby unscheduled performance. Regardless of the format, the quality of the material of the outer atmosphere, it comes out the winner of this game, creating a new life on the canvas, missed through the filter of his own soul.
This artist can talk endlessly, but better than any words say it works. They can be seen on almost all the photographs of contemporary international accounting ART symposia. He conducts master classes in different countries, and artists from all over the world come to him to catch his life-affirming, bright and light-filled art. Generously sharing ability, he is not afraid of competition, leaving nothing for the soul as well as confidence in themselves and in their abilities, who gave him to his mother's milk.
http://kunstwereldwijdnetwerk.nl/.../shefqet-avdush-emini-bio...
http://shefqetavdushemini.123website.nl/
http://shefqetemini.beep.com/cv.htm
Patimat Guseynova Sharuhanova artist. Russia, Dagestan.
Acrylic painting on cnvas
Drawing
Не тот ли творец, кто способен вдохнуть жизнь ….
Прогуливаясь по интернет просторам, я наткнулась на великолепного голландского экспрессиониста Shefqet Avdush Emini. Позже, мне посчастливилось познакомиться с ним и работать на интернациональных ART-симпозиумах.
Экспрессия в цвете, в линии и, в тоже время, чувство меры и гармонии – его работы будто живут своею собственной жизнью. Они не рассчитаны на то, чтобы нравится или подкупать, они не приторны и не декоративны, не холодны и не мертвы. Именно колыхание жизни останавливает и завораживает зрителя. Яркие, контрастные, на первый взгляд наполненные праздником, они одновременно несут в себе драму.
Удивительно тонкие соотношения пропорций, цветов, тонов говорят о наличии фундаментальных академических знаний, которые высвобождают художника от боязни сделать что-то неправильно. И это дает право художнику владеть свободно линией, что первым бросается в глаза в его графике.
Эта профессиона